Quinn has to convince
himself, not only that the destination is secondary, if it
exists at all, but also that meaning has not been displaced
onto the trip itself (the old man's wanderings are not like
one of those Caribbean cruises advertised on TV, where the
trip is both the end and the means...As Quinn starts
imagining Stillman's whole life as one long practice of
street wandering (and therefore his own as a mirror
screener)...19