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Author |
Title |
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Volume 26.3|4
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Diagrams as Tools for Worldmaking
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Sharon Helmer Poggenpohl,
Dietmar R. Winkler
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The Frame of Reference: Diagrams as Tools for Worldmaking
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Krzysztof Lenk,
Paul Kahn
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To Show and Explain: The Information Graphics of Stevin and Comenius
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Douglas McArthur
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Sign Function and Potential of the Printed Word
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Clive Chizlett
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Damned Lies. And Statistics. Otto Neurath and Soviet Propaganda in the 1930s
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Judith E. Sims-Knight
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To Picture or Not to Picture: How to Decide
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Peter Storkerson
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Explicit and Implicit Graphs: Changing the Frame
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Volume 26.1|2
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Fluxus: A Conceptual Country/B>
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Estera Milman
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Historical Precedents, Trans-historical Strategies, and the Myth of Democratization
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Stephen C. Foster
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Historical Design and Social Purpose: A Note on the Relationship of Fluxus to Modernism
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Owen Smith
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Proto-Fluxus in the United States 1959-1961: The Establishment of a Like-minded Community of Artists
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Ellsworth Snyder
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John Cage Discusses Fluxus
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Roy F. Allen
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Fluxus and Literature
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Craig Saper
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Fluxacademy From Intermedia to Interactive Education
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Estera Milman
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Road Shows, Street Events, and Fluxus People; A Conversation with Alison Knowles
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John G. Hanhardt
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Dé-Collage and Television: Wolf Vostell in New York, 1963-64
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Eric Anderson,
Stephen C. Foster,
Estera Milman
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On Open Structures and the Crisis of Meaning, a Dialogue:
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Dick Higgins
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Two Sides of a Coin: Fluxus and the Something Else Press
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Ken Friedman with James Lewes
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Fluxus: Global Community, Human Dimensions
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Hollis Melton
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Notes on SoHo and a Reminiscence
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Estera Milman
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Circle of Friends: A Conversation with Alice Hutchins
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Peter Frank
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Fluxus Fallout: New York in the Wake of the New Sensibility
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Michael Partridge,
Joan Huntley
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FluxBase: An Interactive Art Exhibition
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= out of print |
(special issue) |
Visible Language: Chronological Listings